Exhibition — at The Chandler Museum
DATES: January 31 - May 21, 2023
CURATOR: Jody Crago & Tiffani Egnor
MEDIA: 40 photographs on Sintra with 1 HD monitor displaying 15 motion portraits and 1 short film
Public art installation — in Downtown Los Angeles
DATES: July 1—31, 2021
INSTITUTION: Los Angeles Music Center / Grand Park
CURATORS: Julia Diamond, director; Marty Preciado, program manager
MEDIA: 11 minute video piece incorporating 35 motion portraits and first-person quotes. On five screens sized 8ft x 5ft.
New Short Film:
Sam Comen’s ‘Working America’ was produced by Groundmaking, Inc, and directed by Reuben Herzl with cinematography by Anai Garcia. It runs 8 minutes. See it below:
— WORKING AMERICA —
STATEMENT: Walking and driving every day in my native Los Angeles, I look around and see an economically thriving microcosm of a multiracial, immigrant America. The Armenian-American shoemaker, the Korean-American tailor, the Mexican-American machine operator working the late shift in the last zipper factory left in the country. As the great-grandson of Eastern-European Jewish immigrants, I can’t help but think of 2019 Los Angeles as a contemporary analog to my forebears’ late 19th Century experience in Chicago and Boston. Not long after arriving in the U.S., my great-grandparents did garment piecework and sold sewing supplies. A hundred years and three generations later, through hard work and access to education, they were able to forge a path to stability and wealth, affording me the privilege to pursue a career as an artist whose job it is to examine, reflect and comment on American culture.
It’s with my great-grandparents in mind that I’ve come to question how, in light of recent anti-immigrant rhetoric stoking wide debate across the U.S., their story might still be relevant
today. Inspired by their work in the garment industry, I decided to consider immigrant-Americans and first-generation Americans through the lens of the “small trades,” re-engaging with the historical portrait approach that masters of photography Eugéne Atget, August Sander, and Irving Penn used to study national identity, work, and class in their own times.
To that end, I intend “Working America” to be a meditation on American belonging and American becoming. I’m curious if the national trope of hard work as a path to economic independence and inclusion is a reality. Is that path open to people-of-color? While I strongly believe the questions about race, work, and access that immigrants face in America today are both urgent and dire, my hope is for this series to, foremost, serve as a document of the lives and contributions these men and women continue to make to our country and to our collective experience.
Please note: to see motion portrait video work from this project, click here.